摘要
与上世纪90年代诗人们钟情于个人化写作不同,新媒体时代的诗歌由于建基于新媒体平台,带有媒体的观察社会、新闻报道、见证时代等功能,因而突显出"见证"功能和见证叙事的特征,在一定程度上成为时代和现实的见证,见证了一个特定历史时代的现实真相,但"见证"不能仅仅停留于"见证"本身层面的意义与价值,不能停留于作为"证据"的意义层面,而应超越"见证"自身的限度,深入发掘其所见证的现实真相的普遍内涵与深层意蕴,从而构筑作品深潜的穿透力和持久的震撼力。
Different with the personal writing mode which poets were passionate for in 1990th,the poetry of new media era carries the media's function of observing the society,reporting news,and witnessing the era because it is based on the platform of the new media. Thus it shows the function of witness and the features of witness narrative,even becomes the witness of the era and the reality to some extent,and the poems witness the truth of reality of the specific history time. However,"witness"can not only stay at the sense and value of"witness"itself,or stay at the sense of being"evidence",but transcend the limitation of the"witness"itself,explore deeply the general content and deep implication of the reality truth witnessed,thus construct deep penetrability and everlasting shock power of the creation.
作者
罗小凤
LUO Xiaofeng(Yangzhou University,Literature College,Yangzhou,Jiangsu 22500)
出处
《中国文学研究》
CSSCI
北大核心
2018年第4期149-155,共7页
Research of Chinese Literature
基金
国家社会科学基金项目"新媒体语境下诗与公众世界之关系新变化研究"(15XZW035)
江苏省第五期"333高层次人才培养工程"项目
江苏高校哲学社会科学研究重点项目(2018SJZI139)"新媒体语境下新诗传播转型研究"
关键词
新媒体
见证
诗歌
叙事
限度
New Media
Witness
Poetry
Narrate
Limitation