摘要
"经营位置"是中国传统绘画的基本创作手段,在强调画面中物象的位置关系的同时也注重绘画空间透视观念中渗透的"在场性"审美体验,对中国画的创作和发展产生了深远的影响。同时我们也应该注意到,西方现代主义艺术对于空间的探索和发展过程中对这种"在场性"的审美经验的获得,同样占有重要地位。
"Artistic composition and grouping" is a basic creative method in Chinese traditional painting. While it focuses on the positional relationship of objects in painting, it also concentrates on the "anwesenheit" aesthetic experience permeated in the perspective of the painting, which has brought about creativity and development in traditional Chinese painting. At the same time, we should also realize that Western Modern Art also pays much attention to the "anwesenheit" aesthetic experience in the exploration of space and in the acquisition of this "anwesenheit" aesthetic experience.
出处
《南京艺术学院学报(美术与设计)》
CSSCI
北大核心
2018年第5期50-60,共11页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
经营位置
在场性
以大观小
空间转换
Artistic composition and grouping
Yi Da Guan Xiao
Anwesenheit
Space conversion