摘要
潇湘绘画与潇湘文学密不可分,潇湘文学是潇湘绘画精神意涵之基础,又通过潇湘绘画的发展而得到丰富。本文分别从三个层次上来具体分析"潇湘"的内涵,说明其相互关联,并认为在绘画中的"潇湘"最终脱离了地理范围的束缚,也超越于诗画形式,而进入哲思化境界。
Xiaoxiang painting and Xiaoxiang literature are inseparable. Xiaoxiang literature is the basis of the spiritual meaning of Xiaoxiangpainting, and is enriched by its development. This paper analyzes the connotation of Xiaoxiang from three levels and explains its interrelation. It holds that Xiaoxiang in painting finally breaks away from the restriction of geographical scope and transcends the form of poetry and painting, and enters the philosophical realm.
出处
《南京艺术学院学报(美术与设计)》
CSSCI
北大核心
2018年第5期64-70,共7页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
潇湘
地理
绘画
诗歌
哲思
Xiaoxiang
geography
painting
poetry
philosophic thinking