禅宗诗学的本真修辞与海德格尔的解蔽说

禅宗主张通过见性之悟抵达超越性的本真境界，认为语言的理据性是对自性的遮蔽。为了降低语言理据性，超越语言的遮蔽而抵达本真之境，禅宗以语言游戏改造语言，以反常荒诞的修辞方式启悟学人。禅宗的本真修辞对诗歌、音乐等艺术形式产生了重要的影响，与兴起于20世纪的达达主义、超现实主义思潮有异曲同工之妙；禅宗诗学超越语言之真的修辞与海德格尔的语言观、艺术观有一定契合之处。本文从符号理据性入手，以文化符号学的相关方法将二者加以比较，希望能为禅宗诗学乃至禅文化提供一个新颖的观照维度。

Zen advocates arriving transcendent true state through the realization of meeting with self,and holds that language motivation is the barrier to selfIn order to reduce the motivation of language and transcend the barrier of it,Zen transforms language expressions by language game and enlightens disciples by anomalistic rhetoricAuthenticity rhetoric of Zen poetics has an important influence on many art forms such as poetry,music and so on. At this point,Zen is very similar to some art schools such as Dadaism and Surrealism rising in the 20th centuryThere are many similarities in this regard between the authenticity rhetoric surpassing language barrier of Zen poetics and Heideggers view of language and artThis paper focuses on sign motivation and compares the two by methods of cultural semiotics, hoping to provide a new view for Zen poetics and even Zen culture.