人类符号文化世界的祛魅——《我的个神啊》的一种读法

影片《我的个神啊》之核心主题，在于破除人类世界的常规成见，重新评估人类文化价值观。破除的方式是设想一个来自外星球的非符号使用者PK，为了回家不得不学习适应人类社会，并寻找“神”的帮助。面对陌生的人类世界，PK的学习必须围绕着构成人类世界的各种符号而展开，而相较于身体交流，符号的性质和初学者的使用偏差制造了各种笑点，也揭示了文化的约定性和偶成性。PK在寻求“神”的帮助中碰到的各种相关符号，如神像、神物、祈神仪式等的无用，确认了“神”的非实际功用性。在电视台的支持下PK与神棍的较量，用类比论证的方式揭示了神的代言人的欺骗性，再次审视了信息沟通渠道中的符号权力问题，并对“神”的必要性和神棍们的非合理性做出了路德宗教改革式的判断。

The core theme of the film PKis to break the traditional stereotypes of the human world and reevaluate human cultural values The breaking way is to imagine a nonsign user PK who coming from another planet and in order to go home have to learn to adapt to the human society and look for “god” to help In the face of strange human world, PKs study must revolve around the various signs in the human world And compared to physical contact, the nature of sign and the deviation use of beginners produced all sorts of funny and also revealed the conventionality and contingency about the culture In seeking the aid of “god” with the support of TV,PK encountered a variety of related signs about “god”, such as the statue of god, fetish, and the ceremony of praying to “god” which are useless and confirmed the nonactual function of “god” In the contest between PK and the agent of god, PK argued by analogy and revealed the fraudulence of the agents of god, and reexamined the sign power problem in the information communication channels Furthermore, he made a Lutheran reformation type judgment about the necessity of “god” and the nonlegality of the fraud.