图像中的空间与秩序——文学语词空间与文学图像空间的关系研究

从空间的角度看，从文学到文学图像的过程，是一个空间的视觉化再现的过程。在这个过程中，图像空间以语词空间为基础，形成四种基本关系：一是图像空间摹写语词空间；二是图像空间增补语词空间；三是图像空间组合语词空间；四是图像空间重构语词空间。由于图像的视觉直观性，以及伦理逻辑主导下传统中国绘画美学对秩序原则的高度追求，明清时期，小说戏曲插图、绘本之图像空间在对语词空间的摹写、增补、组合或者重构的过程中，大多数表现出对基本秩序原则的认同、呈现、再现或者重建的保守倾向。可以说，秩序已成为明清文学插图之视觉美学的基本构成要素之一。

From the perspective of space, the translation of literature to literary image is a process of visualization of represented space In this process, the verbalized space is the base of the pictorialized space, and there are four kinds of basic relations formed in this process： First, the pictorialized space depicts the verbalized space; Second, the pictorialized space supplements the verbalized space; Third, the pictorialized space combines the verbalized space; Fourth, the pictorialized space reconstructs the verbalized space During the Ming and Qing Dynasties, due to the visibility of image, and the highly pursue of the principle of order by Chinese traditional painting aesthetics in the dominantion of ethics, most of pictorialized space represented in the illustrations of novel and drama or images from picture book have a conservative tendency to recognize, present, reproduct or reconstruct the basic principle of order in the process of depiction, supplementation, combination or reconstruction It can be said that, Order has become one of the basic elements of visual aesthetics of the Ming and Qing Dynasties literary illustrations.