阀限与策略:关于哈尼族“情歌空间禁忌”的研究

哈尼族有未婚者不得在村寨和家里唱情歌的传统禁忌。“情歌空间禁忌”作为一个可逆性阀限，其主要功能是让哈尼族的未婚者在以狂欢为基调的生理性角色与以克制欲望、承担家庭劳务为己任的社会性角色中切换。“情歌空间禁忌”阀限的流动性和可逆性一方面满足了该群体的本我需要，另一方面，成人角色的反复进入过程也可以逐渐强化青年人的自我克制力。流动阀限的积极意义在于降低了族群边缘者的身份困惑感并减少了成长的心理成本，同时，在现实世界中，情歌空间禁忌的突破策略也体现了爱尼人日常实践的灵活与智慧。

“No singing love song in village and home” is a taboo of Hani ethnic minority the taboo is regarded as a liminality which makes Hani unmarried youth freely change back and forth between the two roles： one is physiologicallybased, orgyoriented, the other is sociallybased, refraining from desire and shouldering domestic duty On the one hand, the reversibility and shifting of the liminality of “space taboo of singing love song” meets the need of the desire of the youth On the other hand, acting as adult repeatedly also gradually strengthens the ability of Selfdiscipline in young people The shifting liminality has the positive significance that reduces the identity confusion of the marginal population and lessens the psychological cost in the growth experience of the young people, and the strategies to break the taboo also reflects the flexibility and wisdom in their daily practice.