摘要
时至20世纪,艺术真实与生活真实的关系仍被反复争论。本文以1957-2005年间《红色娘子军》的各类艺术文本为线索,从"阅读"与"写作"角度,以知识考古学研讨"妇女解放"问题在艺术作品与社会实践的结构性互文关系,认为"想象"在相当程度确实演变成了历史真实。但是,艺术叙事的意义与力量,其实与厚重的历史感有关,因此回避历史极不可取,同时对今天那些不是历史剧的作品,提出批评。
Since twentieth Century, the relationship between the artistic reality and the reality of life has been repeatedly debated. It is indeed a difficult topic. With the archaeology of knowledge, This paper discusses the structural intertextual relationship between the art works and the social practices of women’s liberation in all texts of the Red Detachment of women from 1957-2005, in correlative view of general “reading” and “writing”. “Imagination” eventually evolves into the true history. This reveals that, the meaning and power of art narrative relate to the heavy sense of history in fact. Meanwhile, it suggests that we must think about: Should art avoid history? Today, what is lost in literature and art in the talking “Drama is not a historical work”?
作者
王再兴
WANG Zai-xing(College of Literature,Hubei Normal University,Huangshi 435002,China)
出处
《湖北师范大学学报(哲学社会科学版)》
2018年第6期26-31,共6页
Journal of Hubei Normal University(Philosophy and Social Science)
基金
湖南省哲学社会科学基金项目:"‘十七年’乡村叙述与当代史的关系研究"(16YBA309)
湖南省社会科学成果评审委员会项目:"‘十七年’乡村叙事的历史意识研究"(XSPYBZZ047)
关键词
红色娘子军
妇女解放
历史感
叙事与真实
Red Detachment of women
women's liberation
sense of history
narrative and reality