摘要
"静"在中国文化中有着极为完备的哲学内涵,这一思想体系由来已久,不管是儒家的"宁静以致远",道家老庄的"心斋"坐忘,还是佛学中的"凝神观照、沉思静虑"的"了悟"境界,都反映出中国文化崇尚"静"的传统。这些思想在文人士大夫中形成了反映"静"观念的形象化、精神化追求,在浩瀚的艺术作品中,文人山水画的"静美"的审美追求取得的艺术成就是显著的,在中国画艺术中颇有代表性。
Tranquility in Chinese culture has an extremely complete philosophical connotation with a long history. There is ＂reaching far in tranquility＂ in Confucianism and ＂forgetting while sitting in the mind＂ in Taoism, and ＂gazing attentively and the meditating quietly＂ in Buddhism. They all reflects tranquility in Chinese traditional culture. These thoughts have become a visual and spiritual pursuit reflecting the concept of tranquility among literati. In all art works, aesthetic pursuit for tranquility and beauty has a significant accomplishment in landscape painting arts, which is quite representative of the artistry of Chinese paintings.
作者
杨文斌
YANG Wen-bin(School of Art and Design,Tianshui Normal University,Tianshui Gansu 741000,China)
出处
《湖北第二师范学院学报》
2018年第10期86-89,共4页
Journal of Hubei University of Education
基金
2017年甘肃省"十三五"教育科学规划课题(GS[2017]GHB2011)
关键词
澄怀观道
虚静之美
静气
finding rule in a clean mind
beauty of empty and quietness
tranquil realm
