丝绸之路题材纪录片——影像历史学视阈下的丝路文化“书写”

The Silk Road Theme Documentary:the Writing of Silk Road Culture from the Perspective of Image History

近年来,丝绸之路题材纪录片已经成为国内纪录片创作中的一个闪光点。主题层次多样、创作角度灵活、表现方式新颖的丝绸之路主题纪录片正在成为国内外丝路历史文化研究的重要课题。丝绸之路主题纪录片对于丝绸之路历史文化的阐述与建构究竟有和何贡献,本文以《敦煌画派》和《敦煌伎乐天》为研究范本,以影像历史学为理论依据,对丝绸之路主题纪录片在展现特定历史文化空间时所蕴含的实证主义精神及其科学理性的影像叙事风格进行分析。

In recent years,the Silk Road theme documentary has become a shining point in the creation of domestic documentaries.The Silk Road theme documentary with diverse thematic levels,flexible creative angles and novel expressions is becoming an important topic in the study of Silk Road history and culture at home and abroad.What is the contribution of the Silk Road thematic documentary to the elaboration and construction of the Silk Road＇s history and culture？This paper takes Dunhuang School of Paintingand Dunhuang Acting Bodhisattva as the research models,and based on the theory of image history,analyses the positivism spirit and the scientific and rational image narrative style of the Silk Road theme documentary in displaying the specific historical and cultural space.