图像学视域中的文学和艺术研究——以文学人类学和巫鸿的武梁祠研究为例

Study of Literature and Art from the Perspective of Iconography——Taking Literature Anthropology and Wu Hung's Research on the Wuliang Shrine as an Example

潘诺夫斯基、米歇尔和彼得·伯克等图像学家的理论主张推动了西方图像学的发生与发展。藉由图像学和人类学的理论与方法,以文学人类学中的四重证据法为代表,图像证据在文学研究中有其特别的功能。在非形式主义的艺术研究中,图像学的方法与人类学的方法相互渗透,推动了中国艺术研究的非形式主义转向。巫鸿在武梁祠的研究中体现出利用图像学方法进行艺术研究的多重证据思想,图像不仅作为主体参与着历史的记忆与文化的表征,同时作为质料本身也在积极地建构着汉代历史。

The theories of Panovsky,Michel and Peter Burke promoted the emergence and development of Western iconography.With the theories and methods of iconography and anthropology,represented by the quadruple evidence method in literary anthropology,image evidence has its special function in literary research.In the study of the art of non-formalism,the method of iconography and the method of anthropology permeate each other and promote the non-formalism turn of Chinese art research.Wu Hung＇s study of the Wuliang Temple embodies the multiple evidential ideas of using iconography to study art.Images not only participate in the historical memory and cultural representation as the subject,but also actively construct the history of Han Dynasty as the material itself.