摘要
接受美学属于文学诠释学逐渐发展而形成的一个分支,它强调了读者对作品的理解与再创作。在建筑创作中引入接受美学的观点,通过设置线索在建筑师、建筑和使用者之间建立关联与互动。从中国古代文学中基于接受美学视角的"言、象、意"层次理论中得到启示,将建筑创作划分为"言、象、意"三个结构层次,鼓励设计师"坚定文化自信,增强文化自觉",并根据相应原则与方法设置线索,指引使用者更好地使用建筑,并逐渐引导其从单纯的使用发展至品味与鉴赏,从个体的鉴赏活动发展至社会性的精神活动。在创作过程中合理权衡线索的设置,为公众开启一个更高的文化视界,从而让建筑作品展现出更为持久的生命力。
As a branch of the development of literary hermeneutics, aesthetics of reception emphasizes the understanding and re-creation of readers to works. The viewpoint of "aesthetics of reception" is brought into architectural creation, and correlation and interaction are established among architects, buildings and users through clue setup. This article acquires enlightenment from the "speech, image and meaning" hierarchy theory from the perspective of aesthetics of reception in Chinese ancient literature, divides architectural creation into three structural layers(speech, image and meaning), and encourages designers "to affirm cultural self-confidence and reinforce cultural self-consciousness", set up clues according to corresponding principles and methods, guide users to make better use of buildings, and gradually guide them to develop from pure use to tasting and appreciation, and develop from individual appreciation activities to social spiritual activities. The setup of clues is balanced reasonably in the process of creation, and a higher cultural vision is started for the public, so that architectural works can display more durable vitality.
作者
徐小东
吴奕帆
XU Xiaodong;WU Yifan
出处
《新建筑》
2018年第5期98-101,共4页
New Architecture
基金
国家自然科学基金项目(51678127
51408122)
国家留学基金委项目(CSC#201706095035)
北京未来城市设计高精尖创新中心项目(UDC2016010100)
关键词
文学创作
接受美学
言、象、意
线索设置
建筑创作
literary creation
aesthetics of reception
speech
image and meaning
cluesetup
architectural creation