摘要
《箧中集》诗人和顾况的部分五七言古诗,在表现上虽有较多差异,但其直白与艰涩相兼容的语调特征基本相同,都是在效法汉魏的同时对古诗传统声调的逆反,是中唐前期古诗奇变的特征之一。这一创作现象的形成,有散句联缀、意脉勾连、造语遣词等多种体式原因,体现了在古诗中运用声调配合表情达意的自觉探索。而深层原因则在这一小群诗人怀才不遇的共同遭际,使他们能与汉魏古诗的生命感悟发生自然的共鸣。以"与时皆异"的苦涩语调表达其抵制流俗的心声,正是元结所提倡的风雅古道的重要内涵。
Although there are many differences in expression between the poems in Qiezhong Ji and Gu Kuangs ancient poems,their intonation features were basically the same,which were compatible with straight forwardness and obscurity. They were both in imitation of the Han and Wei dynasties,while reversing the traditional tone of ancient poetry,which were parts of the characteristics of the strange changes of ancient poetry in the early middle Tang Dynasty. There were many stylistic reasons for the formation of this creative phenomenon,such as the conjunction of loose sentences,the collusion of meanings and veins,the choice of words and expressions,and so on. The deep reason was that the small group of poets had a common experience,which made them have a natural resonance with the life perception of the ancient poems of the Han-Wei period. It was the important connotation of the elegant and ancient Taoism advocated by Yuan Jie to express his resistance to vulgarity in the bitter tone of being different from the times.
出处
《清华大学学报(哲学社会科学版)》
CSSCI
北大核心
2018年第6期34-46,192,共13页
Journal of Tsinghua University(Philosophy and Social Sciences)