塬上风景更风情——戴绍康《塬上风》“风”之独舞

Letting the Scenery on the Plateau more Charming——A Case Study of “Wind” in Plateau Wind by Dai Shao-kang

《塬上风》通过一个戏班女子的自叙,从艺术的高度展示了20世纪数十年间塬上的风景风貌、风情风俗、风流风骨。小说主人公以及他们神往的终极所在也纳,作为审美对象和地域名片,其形象不仅带有一种表象的、田园牧歌式的生命咏叹,也意味着一种历史透视和审美批判,并借此书写在社会动荡、时局变迁的风诡云谲中所呈现的人性善恶。

Through a troupe of women＇s self-narrative from The Wind on the Plateau, the sceneries, landscape, customs and romantic style in the decades of 20th are showed from the height of art. As the aesthetic object and regional card, the image of the protagonist in the novel and the ultimate place of their fascination not only has a kind of appearance and idyllic life chanting, but also means a kind of historical perspective and aesthetic criticism., by means of which the social unrest and the change of the current situation in the wind and clouds showing the good and evil of human nature are described in this book.