从接受美学的视角解读《追忆似水年华》中的召唤结构

On the Response-inviting Structure in A la Recherche du Temps Perdu from the Perspective of Reception Aesthetic Theory

文章以法国作家马塞尔·普鲁斯特的著作《追忆似水年华》为例,阐释了作为康士坦茨学派代表人物之一的沃尔夫冈·伊瑟尔提出的文本召唤结构。召唤结构作为一种文学作品创作框架,在语音语调层、语义建构层、修辞格层、意象意境层、思想感情层五个层面为读者提供了文本的空白、空缺及不确定性,意在召唤读者在其可能的范围内充分发挥再创造的才能,进行文本的创造性填补和想象性连接。试对《追忆似水年华》中的召唤结构进行解读,并在作者→作品→读者三个环节的动态交流中发掘普鲁斯特小说独特的艺术魅力。

Taken A la recherche du temps perdu, the literary work of French writer Marcel Proust as an example, the article illustrates Wolfgang Iser＇s Respanse-inviting Structure Theory, which works as one creative framework of literary works, providing readers with blanks and indeterminacies on the five layers of pronunciation and intonation, semantic structure, rhetoric, image and emotion, aiming to invite readers to exert their abilities creatively fill in the blanks and imagine the blanks in the texts. The article tries to analyze the response-inviting structure in A la recherche du temps perdu and presents the artistic charm of Marcel Proust＇s novels in the communication of author, text and reader.