论郭松棻小说的多重书写

The Multiple Writing of Guo Songfen's Novels

郭松棻的小说创作为数不多,但却篇篇意蕴复杂,形成了左翼倾向、乡土意识和现代主义哲思三者相杂糅的书写形态。郭氏小说中"激进"的左翼倾向以一种"不介入"的姿态潜藏于文本的肌理之中,隐秘书写自身青年时期政治乌托邦的建构与失落。同时其小说中的乡土意识亦不可忽视,打破了国族与身份认同的圈囿,有着纯粹的乡土性质;而现代主义式的生命苦闷外化为现代主义的写作手法,以诗化的语言、隐喻的方式和"历史新编"的新模式书写着人世伦理的悲辛。丰富而杂糅的多重书写,使得郭松棻成为80年代初台湾文坛中不可多得的"难以被定位的作家",为打破当时台湾文坛"乡土/现代"的二分局面做出了不可忽视的贡献。

Guo Songfen＇s novels are few, but the contents of his texts are complex, which forms the multiple writing including the left wing criticizing, the native consciousness and the modernist philosophy. In his novels, the ＂radical＂ left-wing criticizing is hidden in the texture with a kind of ＂no intervention＂ to write the construction and loss of political utopias in his own youth. At the same time, the native consciousness and the trauma of the hometown of his novels can not be ignored. His rural writing has broken the circle of national identity, so it is a ＂pure native novel＂. And the modernist thinking always exists in his novels, and the externalization is modernist writing tech- nique, which writes the tragedy of human ethics with the poetic language, metaphor and a new pattern called ＂the new history＂. The multiple writing made Guo Songfen a rare writer who is hard to locate in the literary world of Taiwan in the early 80s, and made a great contribution to break the ＂native / modem＂ situation in the literary world of Taiwan at that time.