浅谈当代中国水彩画的本体语言和多元化

On the Body Language and Pluralism of Contemporary Chinese Watercolor Painting

水彩画,在造型艺术中独树一帜,水彩画因为创作材料和工具的固有特性、技法与其他画种不同,形成水彩自身的艺术特性,拥有自然流畅、透明的特点。作为舶来画种,在我国已有逾百年的发展,而且它同我国传统中国画在作画过程中有相似的艺术表现,使得水彩画在中国的发展道路中避免不了融入中国画的部分精髓。同时由于中国的水彩艺术家拥有优沃的传统文化、审美认知,中国的水彩画逐渐演变成中、西融合的绘画门类,呈现一种本土化和多样化的趋势。水彩艺术在中国目前有着强劲的创新浪潮,表现形式多样,材料越来越超出透明水彩范围,题材也非常丰富,加强了水彩画的视觉创新。综合上述方面,我们看到完整立体的中国水彩发展面貌。

Watercolor painting, unique in the plastic arts, because of the inherent characteristics of creative materials and tools, techniques has the characteristics of natural and smooth, transparent. As an exotic painting, it has developed for more than one hundred years in our country, and it has similar artistic performance with traditional Chinese painting in the process of painting, making watercolor painting in China＇s development path into the essence of Chinese painting. At the same time, Chinese watercolor artists have yowza＇s traditional culture, aesthetic cognition. Chinese watercolor painting gradually evolved into Chinese and western integration of painting categories, showing a trend of localization and diversification. Watercolor art in China has a strong wave of innovation, diverse forms of expression, materials beyond the scope of transparent watercolor. Theme is also very rich, strengthening the expression of watercolor. Overall we see a complete three-dimensional development of Chinese watercolor face.