张大千笔下的“自我形象”探析

A Probe into the “Self-Image” under Zhang Daqian's Painting Brush

对张大千《东坡居士笠屐图》的分析发现,张大千笔下的苏轼形象表面上表达了他希望以一种超然的文人高士形象游走于中国画坛的愿望,实际上却暗示了他在商业化的画坛中辗转腾挪的无奈。而《人间乞食图》中"沿街乞讨"的个人形象既是幽默的自嘲,也是对他自己一生的总结。作为传统文人向"现代知识分子"转变过程中的典型人物,张大千通过此两幅作品从不同侧面展示了他内心所经历的酸甜苦辣。

Through the analysis of Zhang Daqian＇ s Picture of the Layman Dongpo in Bamboo Hat and Clog, the authors of this paper have found that, from the surface, the Su Shi＇s image under Zhang Daqian＇s painting brush is the expres sion of his wish to wander in the painting circle in China as a transcendent scholar. Nevertheless, this has shown his helpless hess in the commercialized painting circle. And the self-image who begs in the street in the Picture of a Beggar in the Human World is the humorous self-moekery as well as the summary of his life. As a typical figure in the transformation from a tradi tional scholar to a ＂modern intellectual＂, Zhang has expressed the joys and sorrows he experienced in his life from different as peers.