中国儿童戏剧初创期的外来影响与民族创新——以《马兰花》与库里涅夫为例

On Foreign Influence of and National Innovation in the Early Stage of Development of Chinese Children's Drama——A Case Study of Malan Orchid

以《马兰花》为典型个案透视中国儿童戏剧初创期的外来影响与民族创新,主要表现在:"儿童本位"观念和儿童戏剧观念的构建、现实主义戏剧创作方法和中国戏曲写意表现方式的融合、儿童戏剧艺术本质特征的探索。《马兰花》在集体智慧和外来影响的共同作用下,促进中国儿童戏剧走向真正的剧场艺术,甚至在一定程度规范了当代中国儿童戏剧的风格走向和美学范式。

This paper, based on a case study of ＂Malan Orchid＂, looks into the foreign influence and national innovation during the early stage of the development of Chinese children＇s drama. It then explores the construction of ＂child-orientated＂ idea and children＇s drama, the integration of realistic plays and symbolic traditional Chinese opera, and the essential characteristics of the children＇s drama. Thanks to the mutual efforts of many Chinese artists and the successful experience of foreign plays, Malan Orchid, has promoted the development of Chinese children＇s drama into real theatre art, and even to some extent, predetermined the trend of style and aesthetic paradigm of contemporary Chinese children＇s drama.