摘要
赣南客家民间道教节庆仪式,是当地客家老俵于道教节日前后为祈佑国泰民安、五谷丰登而举行的公共性或宗族性庆祭仪式活动。这种类型的仪式及音乐,是一个充满文化意义的世界。其核心意义在于,不同的参与角色在仪式中操弄着不同类型的音乐符号,这些音乐符号作为一种声音的媒介,有效地达成了人、神、鬼之间的沟通与对话,并由此显现出赣南客家人的仪式用乐观念、信仰内涵及社会关系秩序,表达出其虔诚守望的那份道德情感与生命理想。
Gannan Hakka folk Taoist festival ritual and music which is filled with cultural meaning is held before or after Taoist festival by Gannan Hakka people. The different music symbols operated by different roles of participants can be seen as a kind of sound medium which is able to make effective communications between gods and ghosts and Gannan Hakka people in order to show ritual music concept,faith connotation,social relation order,moral emotion and life ideal of Gannan Hakka people.
作者
蒋燮
JIANG Xie(College of Music,Guangxi Arts University,Nanning 530022,China)
出处
《赣南师范大学学报》
2018年第5期26-31,共6页
Journal of Gannan Normal University
基金
国家社科基金(17CMZ033)
2013年度广西艺术学院博士科研项目(BS201303)
2017年度江西省艺术科学规划项目(YG2017081B)
关键词
赣南
客家
民间道教音乐
节庆仪式
文化意义
Gannan
Hakka
folk Taoism music
festival ritual
cultural meaning