摘要
从某种角度上来看,中国钢琴音乐"中国风格"的诞生与音乐民族学和传统文化有一定的联系。而所谓"钢琴音乐的中国风格"的最早提出,还得归结于美籍俄裔作曲家、钢琴家齐尔品,当时齐尔品自主出资在国立上海音专举办第一场"中国风味钢琴作曲比赛",这既是"中国风味"钢琴创作理念的第一次提出,也是一次唤醒作曲家以及音乐从业人员、音乐爱好者对本民族音乐文化传统的一次尝试,随着中国当代音乐的发展以及"中国梦"与文化自信意识的崛起,人们对音乐中的"民族风格"的理解,必定是发生了变化的,尤其是民族意识的觉醒,更是为"钢琴音乐的中国风格"指明了道路。
From a certain point of view, the birth of "Chinese style" of Chinese piano music has a certain connection with music Ethnology and traditional culture. The earliest proposal of the so-called "Chinese style of piano music" was also attributed to Qierpin(Russian-American composer and pianist). At that time, Qierpin independently invested in the first "Chinese-style piano composition competition" at the National Shanghai Music College. This is not only the first time that the concept of "Chinese flavor" piano creation has been put forward, but also an attempt to awaken composers, music practitioners and music lovers to their own national music and cultural traditions. With the development of contemporary Chinese music, the gradual development of the "Chinese dream" and the rise of cultural self-confidence, people's understanding of the "national style" in music must have changed, especially the awakening of national conscious- ness. It also points the way for "Chinese style of piano music."
作者
程敏
CHENG Min(Fuyang Normal University,Fuyang 236037,China)
出处
《赤峰学院学报(哲学社会科学版)》
2018年第11期112-115,共4页
Journal of Chifeng University:Philosophy and Social Science Chinese Edition
基金
安徽省教育厅人文社会科学研究重点项目"基于高师钢琴基础理论体系下的中国钢琴艺术理论课程的现状与构建研究"(SK2018A0273)
关键词
中国钢琴音乐
中国风格
多元文化
文化性心理
Chinese Piano Music
Chinese Style
Multiculturalism
Cultural Psychology