摘要
纳博科夫借助语音修辞如头韵、重复、停顿等以及长短句交替的技巧,赋予了小说《洛丽塔》音乐般的韵律和节奏;模仿和声技法编织小说素材,把两个异质事件有机地统一在同一时空里,增强小说的叙事张力和艺术表现力;透过多重叙事视角,不同的主题以及主题间的碰撞得以呈现与强化,形成叙事主题多声部的交响,展示深刻主题;利用音乐元素的隐喻和象征作用,巧妙地把音乐编织到小说的人物、情节乃至主题中,实现音乐与文学的从形式到内容的完美联姻。可以说,小说《洛丽塔》是一部具有较高音乐性的文学作品,是纳博科夫跨越文学边界进行艺术创新的尝试和探索。
With the help of phonetic rhetoric such as alliteration,repetition,pause,and the alternation of long and short sentences,Nabokov gives the musical rhythm and rhythm of the novel Lolita;he imitates the technique of harmony to weave the material of the novel,unifies two heterogeneous events in the same time and space,enhances the narrative tension and the artistic expression of the novel. Through multiple narrative perspectives,different themes and collisions between themes are presented and strengthened to form the symphony of the multi-voice part of the narrative theme;he uses the metaphorical and symbolic functions of the musical elements to ingeniously weave music to the characters and plots of the novel to the theme,and realize the perfect marriage of the music and literature from form to content. It can be said that the novel Lolita is a highly musical literary works,which is an attempt and exploration of Nabokov's artistic innovation.
作者
梁惠梅
LIANG Hui-mei(School of Foreign Studies,Yulin Normal University,Yulin,Guangix 53700)
出处
《玉林师范学院学报》
2018年第4期62-66,共5页
Journal of Yulin Normal University