唐宋人之“陶王”接受论

Acceptance of Mentioning Tao and Wang Together by Tang and Song People

在现存文献资料中,始终未见唐人将"陶王"相提并论的文字。至宋人,才有了渊明摩诘并称、斜川辋川对举的提法。唐人为何不并称"陶王"、宋人为何推崇"陶王"、宋人对"王维讥陶潜"有何异议等,将这些问题逐一厘清,可以看出唐宋人对"陶王"的接受视角与审美取向有明显不同。宋人将"陶王"并称,确立了一个诗派的代表人物及其继承关系,确立了一种尚平淡的审美理想,这在文学史上是有重大意义的,也是王维接受研究应当关注的。

In the existing literature and documents, there were no written records of mentioning Tao and Wang together in the Tang dynasty. Either Tao and Wang or Xiechuan and Wangchuan were not mentioned together until the Song dynasty. Why did this not happen among Tang people.9 Why did Song people praise Wang Wei and Tao Yuanming highly.9 What different opinions did Song people have about Wang Wei and Tao Yuanming？ To clarify these questions one after another, it can be seen that Tang and Song people had had clearly different perspectives and aesthetic orientations. Song people mentioned them together, set up representatives of a poetry school and an inheritance relationship, and meanwhile established an aesthetic ideal. It is of great significance in the history of literature, and particular attention should be paid to Wang Wei＇s acceptance research.