摘要
通过分析卢浮宫朗斯分馆室内空间的材料性和光照环境以及环境和时间的因素对建筑外部材料性的影响,提出材料性对视觉的模糊引发人对空间的模糊感知并诱使身体主动探索来确认这种模糊性,反映了梅洛庞蒂提出的环境的"要求"。SANAA图解建筑的材料性其实提供了一种身体体验空间和与世界相互作用的动态方式。
By analyzing the materiality and luminance conditions of the interior space of Louvre-Lens Museum and impact of the environment and time on exterior materiality, this paper contends that visual ambiguity of materiality causes ambiguous perception of space and encourages active bodily engagement to explore and confirm the perception, which reflects what Maurice Merleau-Ponty described as the 'solicitations' of the environment. The materiality in SANAA's diagram architecture actually provides a dynamic way of bodily experiences in the space and interactions with the world.
出处
《建筑学报》
CSSCI
北大核心
2018年第11期95-99,共5页
Architectural Journal
基金
江苏省高等学校自然科学研究项目(18KJB560018)