中国新文学史观建构刍议

On Chinese New Literary History Outlook Construction

文学史有"史实"和"史识"的分别。整体性的历史观渐被现代不同的历史观所代替,文学史的建构性随之巩固。文学史规律和文学史家的观照共同表现为质的规定性和人的本质力量的对象化统一。日常生活更多表达的是一种趋势、一种象征、一种气韵、一种风气。与对语言的强调一道,福柯的姿态表达了某种延异与播散的解构性,与日常生活自身的多元和异质性不谋而合。本雅明是在日常生活的机制和意义上来看待文学史的使命和作用的。新文学之强调"新",实含由旧而来,所谓"旧中之新",实际上就是进化。中国新文学史的范式和书写并非没有重构的合理性和可能性。就新时代这一新课题和新机遇而言,立足于"新"的中国新文学史观有了充分而迫切的现实环境和问题语境。

There is a distinction between ＂historic facts＂ and ＂historic ideas＂ in literary history. The holistic conception of history is gradually replaced by different modern historic understand ings, thus the nature of construction of literary history is strengthened. The rule of literary histo ry and the outlook of literary historians are manifested as the objectified unification of the pre scription of nature and human beings＇ essential power. Everyday life expresses itself to be a direc tion, symbol, spirit and ethos. With the emphasis on language, Foucault expresses the nature of deconstruction of some kind of difference and dissemination, which is the same as the multivariate and heterogeneity of everyday life. Benjamin also views the mission and function of literary history from the mechanism and meaning of everyday life. The ＂new＂ emphasized by new literature, actu ally comes from the old. The so called ＂new in the old＂ is actually evolution. The mode and writ ing of Chinese new In the new era, faci history outlook face ng the s suffic history is not without the rationality and possibility of reconstruction. new project and new challenge, based on ＇~new＂, Chinese new literary lent and urgent realistic environment and problem context.