摘要
张爱玲小说在内在脉络和表达方法上与创意写作学小说所倡的创意模型原理有许多不谋而合之处:它不仅体现了情节结构四元素模型与情节表达两元素模型,而且具体、深化、细化了作品中不同人物之间渴望、障碍、行动、结局相互交叉、相互牵制、相互生成的关系;以对话、心理活动、对物象的精细描写和词的具象化呈现了小说表达的展示要求与效果,以深谙各个人物的心理感受和细述人物心理活动呈现了情感表达的要求与效果。
Eileen Chang's novels have many similarities with the creative model principle of crea tive writing novels in terms of internal context and expression methods: it not only embodies the four element model of the plot structure and the two element model of the plot expression, and specifies, deepens and refines the aspirations, obstacles, actions, and outcomes of different char acters in the works, which are intertwined, contained, and generated by each other. With dia logues, psychological activities, elaborate description of the objects, and the visualization of the words, it presents the expressive ing of the psychological feelings psychological activities, it shows of each character the requirements effects of the novels. Through the understand and the detailed expressions of the character's ects of emotional expression.
作者
李承辉
陈荣香
Li Chenghui;Chen Rongxiang
出处
《常州大学学报(社会科学版)》
2018年第6期101-107,共7页
Journal of Changzhou University:Social Science Edition
关键词
张爱玲
小说创意
创意写作学
模型
Eileen Chang
novel creation
creative writing theory
model