摘要
在美国华裔当代女作家伍慧明的处女作《骨》中,大女儿莱拉叙述了她们一家三代人在唐人街的生活经历和精神创伤。小说中的创伤书写具有明显的空间维度,文章运用佐伦的空间叙事理论,从地志空间、时空体空间和文本空间三个层面解析《骨》中的创伤。地志空间的置换呈现人物的创伤表征;时空体空间的转移彰显家庭成员的创伤疗治过程;文本空间的布局把莱拉一家的个体创伤扩展至整个华裔群体,展现了华裔族群的集体创伤。
The elder daughter,Lyra told her family's life story and spirit trauma in which was Fae Myenne Ng's maiden work. In this book, the trauma writing clearly characteristics. Based on Zora's spatial narrative theory, this paper analyzed trauma the book Bone, presents spatial writing in three aspects, namely, topographical structure, ehronotropie structure and textual structure. The representation of topographical structure presented each character's individual trauma. The changing of ehronotropie structure showed the process of trauma healing. The arrangement of textual structure extended the individual trauma to the group of Chinese Americans'.
作者
袁洋
YUAN Yang(Zhengzhou University,Zhengzhou Henan 450001)
出处
《浙江万里学院学报》
2018年第6期41-45,共5页
Journal of Zhejiang Wanli University