摘要
纳博科夫的《普宁》通过一系列空间断裂性的描摹,使文本呈现出一种充满矛盾的弯曲空间,以至于普宁成了多重空间下的"差异"存在,这种差异主要在于作家对话语空间建构的策略性运用。由于言语的二维平面和文本中象域的结合,所产生的四维审美空间所导致的能动性共同创造了小说"次生之文"的存在,多维的空间对应的是作者力图摆脱僵死的形式话语而寻求一个崭新的身份建构和话语权,其目的在于塑造一位俄国流亡知识分子身上的复杂性、矛盾性和不确定性。
The Nabokov's "Pnin" is described by the breaking of the space presented in the book, and the text presents a paradoxical curved space. And the result is Pnin became a "diflerence" existing in multiple space. The difference is due to the use of his strategy of construction of discourse space. The existence of "the secondary text" of the novel is created, because the two-dimensional plane and the combination of images in the text produce a four-dimensional aesthetic space. The result of multidimensional space is due to the fact that the author tries to get rid of the form of inflexible, and to pursue a new identity construction and discourse right. The purpose is to shape a person's complexity, contradiction, and uncertainty of an intellectual exiled from Russia.
作者
阳丹丹
YANG Dandan(College of Liberal Arts,Southwest University,Beibei Chongqing 400715,China)
出处
《重庆文理学院学报(社会科学版)》
2018年第6期39-47,共9页
Journal of Chongqing University of Arts and Sciences(Social Sciences Edition)