摘要
正如一个家庭中的问题儿童那殷，即使新的问题不断出现，但它仍比没有惹麻烦且行为规范的好孩子能够获取到更多的爱和关注。自1847年建造以来，乐之韵音乐厅（“献给音乐”）就需要经常变换和翻新。然而，它洋葱状的圆形屋顶却成为了阿纳姆居民们的软肋，这也是它从未被拆除的原因。经过最新的修复工程，包括由范·东恩一科舒奇建筑与规划事务所新近设计的“公园房”，如今这栋建筑确实值得爱戴。
It is comparable to a family＇s problem child. New issues keep coming up in the building, but it still receives the most love, more than the good child that causes no troubles and shows exemplary behavior. Since it ws built year in 1847, the concert building Musis Sacrum （＂dedicated to the music＂） required constant changes and renovations. However, the citizens of Arnhem kept a weak spot for the property with its onion-shaped domes, which explains why it was never demolished. After its latest restoration, including the new Park Room designed by Van Dongen-Koschuch Architects and Planners, the building now really warrants this affection.
出处
《世界建筑》
2018年第11期72-77,共6页
World Architecture
