新媒体时代的水墨动画创作研究——以《元夕》的设计与实现教学为例

Research on Ink Animation Creation in the New Media Era, Taking the Design and Implementation of "New Year's Eve" as an Example

文章以中国风水墨动画在新媒体时代下的发展为线索,探讨自第一部水墨动画诞生之后,中国水墨动画的繁荣景象,以及现今发展所面临的困境。并以二维水墨动画《元夕》的设计与实现教学实践为例,论证了新时代下中国风水墨动画应以新媒体形式适应发展的合理性与必要性,让水墨元素呈现在更广泛的多媒体作品中,使水墨动画能够重新焕发新的活力。

This paper takes the development of Chinese ink animation in the new media era as a clue to explore the prosperity of Chinese ink animation since the birth of the first ink animation, as well as the dilemma facing the development. Taking the design and implementation of the two-dimensional ink animation ＂ The Lantern Festival＂ as an example, this paper demonstrates the rationality and necessity of adapting Chinese ink animation to the development of new media in the new era, so that ink elements can be presented in a wider range of multimedia works, so that ink animation can be re-energized.