张力美与诗歌写作中的修辞技艺

Tension and Rhetorical Figures in Poetry Writing

张力美是指机体运动的形式美。它由对立统一的表象性形式构成,源自审美主体对自我生命伸展运动形式的反思。以此衡量诗歌写作中的一些常用而且重要的修辞手法,如隐喻、对偶、留白、双关、反讽和悖论等,可见它们虽然在技艺层面各不相同,但其美之为美的本质规定性上却都具备对立统一的表象性形式结构。诗歌修辞乃张力美的具体体现。因此,修辞不仅仅是技艺,更是人结构世界的一种方式,还是审美主体达成对自我生命形式反思的重要途径。

Tension is a typical form of aesthetic which aroused by organism stretching movement. It is constructed by representational form of unity of opposites and derived from self-reflection of aesthetic subject on the life movement. Many kinds of rhetorical figures appear the same feature according to tension form, such as metaphor, antithesis, blank-leaving, pun, irony and paradox, presenting unity of opposites in structure although they are totally different from each other in patterns, which means rhetorical figures are special reflect of tension in aesthetic. Furthermore, rhetoric is not only the technique in writing, but also a method in constructing our world, and most of all, it is a very important way for the aesthetic subject to accomplish self-reflection.