摘要
被誉为战后日本文学旗手的开高健突破私小说一统日本近代文坛的藩篱,拓宽小说的取材范围,以法国文学家加缪的《鼠疫》为蓝本,结合《朝日新闻》晚刊的一则报道,融入自己对个人选择、生存价值等的哲学思考,运用大胆的手法和新颖的尝试编织了一个东方的西西弗神话,成就了《恐慌》这部现实主义的力作。
Takeshi Kaiko,known as the standard- bearer of post- war Japanese literature,break through the dominance of private novels in Japanese modern literature. Through broadening the material selection scope, modeling The Plague by French literator Camus and combining one nightly report from Asahi Shinbun,Takeshi Kaiko has made bold and innovative attempts and created the realism masterpiece Panic,the oriental "The Myth of Sisyphus",which embodies his own philosophical thought on personal choice and survival value,etc.
作者
付贵贞
胡建军
Fu Guizhen;Hu Jianjun
出处
《珠江论丛》
2016年第1期155-165,共11页
Pearl River Forum
基金
吉林省社会科学基金项目“开高健小说的社会批判思想研究”系列成果之一
项目编号:2014JD17