玻璃白在陶瓷艺术中的运用

The use of glass and white in the art of ceramics

玻璃白是采用氧化硅、氧化铅、和氧化砷配制而成。最主要的成分就是氧化硅。因为玻璃白烧成后是呈现不透明的乳白状,所以粉彩瓷中当洋红或者宝石红点染在玻璃白上烧成后颜色在乳白的玻璃白淡化下变得粉嫩。玻璃白分为釉上釉下两种,本文我们只论述釉上彩瓷中的玻璃白。玻璃白是一种比较有表现力的陶瓷颜料,像在粉彩中玻璃白就是最重要的颜料,粉彩作品是一定缺少不了玻璃白,没有玻璃白的粉彩作品就像古彩一样颜色生硬,不具备粉彩颜色粉嫩的效果。当代陶瓷艺术中,玻璃白也会在新彩中大量使用,由于玻璃白较强的表现力,陶瓷艺术家们会在作品的突出部分或者鸟兽的眼、爪、嘴采用玻璃白表现。再像田园风作品中的水稻、麦穗也会通过玻璃白表现出一粒粒饱满的稻谷麦子。再像山水画中前景中一块块石头、山峰、瀑布也会先填涂玻璃白在染色表现前景与远景的虚实关系,以及雪景中就大量采用玻璃白表现了。本文就从玻璃白在陶瓷艺术中的运用来论述,解说玻璃白的独特陶瓷艺术效果。

white glass is made from silica, lead oxide and arsenic oxide. The main ingredient is silicon oxide. Because of the glass white burning after the presentation of the opaque white, so the pink porcelain when the magenta or gem red on the glass white burned after the color of white glass white desalination becomes pink. Glass white is divided into two types： glaze and glaze. Glass white is a kind of more expressive ceramic pigment, such as glass and white in pink is the most important pigment, the work of pink is certainly lack of glass white, no glass white powder works like the ancient color, the color is hard, and does not have the pink color effect. In contemporary ceramic art, glass white will also be used in a lot of new colors. Because of the strong expressiveness of glass white, ceramic artists will use glass and white expression in the prominent part of the work or the eyes, claws and mouths ofbirds and animals. Like rice and wheat in pastoral works, a grain of wheat can be seen through glass white. Like landscape painting in the foreground of a block of＇stone, mountain, waterfall will also first fill the glass white in the bright and real relationship between the prospect ofdyeing and the vision, as well as a large number ofuse of glass white in the snow. This paper discusses the unique ceramic art effect of glass white From the application of glass white in ceramic art.