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基于图像学视野下的元青花人物故事纹饰研究——以《萧何月下追韩信》梅瓶为例

A Study on Ornamentation of Figure's Story of Blue and White of Yuan Dynasty Based on Iconography Perspectives: for Instance Plum Vase Called “Xiao He is Following Han Xin in the Moonlight”
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摘要 元代青花瓷是我国青花绘画艺术发展史上的第一个高峰。其中,元青花人物题材装饰最为经典,笔者基于图像学的视角,以元青花《萧何月下追韩信》梅瓶为例,对元青花人物故事纹进行深一步地解读,从而为学习元青花人物故事纹提供另一条重要途径。 Blue and white porcelain of the Yuan Dynasty is the first peak in the history of Chinese blue and white painting. During that time, the figure' s patterns of blue and white decoration is the most classic. The author will take blue and white plum vase called "Xiao He is following Han Xin in the mnoonlight" as an example and base on the perspective of iconography to interpret deeply people' s stories of blue and white porcelain in Yuan dynasty. Sequentially It can provide another important way to learn people' s stories of blue and white porcelain in Yuan dynasty.
作者 宋志岭 Song Zhiling(Jingdezhen Ceramic Institute,Jingdezhen,333001)
机构地区 景德镇陶瓷大学
出处 《陶瓷研究》 2018年第3期49-52,共4页 Ceramic Studies
关键词 图像学 元青花人物故事纹 《萧何月下追韩信》梅瓶 iconography the ornamentation of-figure' s story of-blue and white of Yuan Dynasty from semiotic perspective plum vase called "Xiao He is following Han Xin in the moonlight"
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