摘要
中国画是以描形传神为创作宗旨的艺术,它既不能离开客观对象的形似单独存在,又不能受限于对象的形似。中国画作者们应该从形似入手,抓住客观对象的本质,融其本质余绘画当中,方能创作出神形兼备、气韵生动的国画佳作。
Chinese painting is the art of drawing the spirit of God as the purpose of creation. It can neither be separated from the objective object, nor is it limited to the shape ofthe object. The Chinese painting writers should start with the shape of the shape, grasp the essence of the objective object, and melt the essence ofthe painting to create a beautiful and vivid Chinese painting.
作者
陈齐招
夏奇奇
Chen Qizhao;Xia qiqi(Chen Qizhao ceramic art studioJingdezhen,33300)
出处
《陶瓷研究》
2018年第3期92-94,共3页
Ceramic Studies
关键词
中国画
形似
神似
关系
Chinese painting
resemblance
resemblance
relationship