论贡布里希的艺术史研究方法:以《艺术的故事》为例

On Gombrich's Methodology in the Study of Art History:A Case Study of The Story of Art

《艺术的故事》是一部具有世界影响的美术史著作。它凝聚了贡布里希对美术史研究方法论的思考,全面体现了这一伟大学者的美术史观,同时涉及到西方艺术史研究的若干重要议题。结合贡布里希的主要理论著作,对《艺术的故事》中包含的艺术史研究方法,如"所知"与"所见"的矛盾,情境逻辑的运用,艺术中的技术、传统、价值问题等等进行深入剖析,旨在为中国美术史的书写和研究提供借鉴思路。

The Story of Art is a piece of works in art history with worldwide influence. The book brings together Gombrich's thought on methodology in the study of art history, reveals comprehensively this greats cholar's view of art history, and involves several key issues in the study of Western art history. The present paper is an in-depth study of research methods in The Story of Art, like the conflict between"what is known"and"what is seen", techniques, traditions and values in art, aiming at providing reference for the writing and study of the Chinese art history.