中国传统诗学的审美之维——从“发愤著书”“不平则鸣”到“穷而后工”

The Aesthetic Dimension of Chinese Traditional Poetics from the Perspective of Historical Records

从汉代司马迁"发愤著书",到唐代韩愈"不平则鸣",再到宋代欧阳修"穷而后工"的诗学命题,它们共同构建了中国传统诗学的一条理论线索,集中呈现了中国传统诗学发展的审美倾向,反映了不同时代诗人创作的生命激情和悲剧价值,呈现了作家的创作动机,揭示了文学创作的艺术本源,展示了中国传统诗学一种特殊的审美价值。

From Sima Qian＇ s ＂Being Assiduous in Book Writing＂ in the Han Dynasty to Han Yu＇ s ＂Injustice Provoking Out-cry＂ in the Tang Dynasty, then to Ouyang Xiu＇ s ＂Adversity Revealing Genius＂ in the Song Dynasty, a series of Aesthetics proposition constitute a tragedy clue throughout the development history of China＇ s ancient literature, expression the Chinese ancient aes-thetics tradition. Those sufficiently shows the writer＇ s creative passion, presents the create motivation, and reveals the special aes-thetic value of Chinese traditional poetics.