摘要
在水彩画传入中国的一百多年之中,受到中国美学观念的影响,具有意象造型的特点。那么,西方水彩画中真实的"空间"和中国水彩画中主观的"意象"是怎样的关系呢?它们是如何协调统一在一幅画面中呢?以当代中国水彩画名作为例,分析二者的对立统一关系,对于探索水彩画的技法、提高水彩画审美水平具有现实意义。
Since watercolor paintings were introduced into China more than one hundred years, they have been influenced by Chinese aesthetic concepts and have had the characteristics of image modeling. So, what is the relationship between the real "space" in western watercolor painting and the subjective "image" in Chinese watercolor painting? How are they harmonious and unified in the picture? Taking the masterpieces of the contemporary Chinese watercolor painting as examples, the paper analyzes the relationship of the interaction and the contradiction, which is of realistic significance for exploring watercolor and improving the level of watercolor painting aesthetic.
作者
梁小明
LIANG Xiao-ming(Longnan Teachers College,Chengxian 742500,China)
出处
《渭南师范学院学报》
2018年第23期92-97,共6页
Journal of Weinan Normal University
关键词
水彩画
空间
意象
watercolor painting
space
image