茅盾早期文学理论、实践与影响(1919-1929)——兼论《读〈倪焕之〉》

Literary Theory, Practice and Influence of the Early Maodun

茅盾是中国新文学的见证人与身体力行的实践者。1919-1929年,这期间既是中国新文学的发展十年,也是茅盾文学思想及其创作实践黄金十年。血雨腥风的十年革命斗争的洗礼,奠定了茅盾毕生坚定的文学创作方向。他以"尽时代赋予的使命",完成了从初出茅庐的文艺青年到成长为革命事业而献身的文艺理论家、作家的华丽转身。他使用"矛盾"作为自身形象的定位,以此折射出被抛入历史文化过渡时代的知识尴尬处境和复杂心境,既是极富内省精神的自况,也是对社会进行精确体察得出的结论。

Maodun was both a witness and a practitioner of China's new literature. The decade between 1919-1929 witnessed the development of not only China's new literature, but also of Maodun's literary thought and practice. The ten years' revolution determined his literary creation. With the mission entrusted by the time Maodun grew from a fledgling writer into a revolutionary literary theorist and writer. His pseudonym manifests his selforientation, and reflects a complex state of mind in a transitional age, where we find both a profound self-reflection and an accurate observation of society.