西部乡土变迁与“在地者”乡愁的诗意影像呈现--论李睿珺的乡土电影创作

The Images Presentation of Western Rural Transition and Nostalgia——The Review of Lee Ruijun's Rural Films

李睿珺的乡土电影创作以真实而不乏诗意的影像语言,反映了西部乡土变迁中本土乡民的生存困境及其对土地、家园的深厚感情,生动呈现了"在地者"的复杂乡愁体验。影片在关注西部底层生命存在、反思现代工业文明的同时,流露出较强烈的生态意识和批判精神,具有社会、文化、哲学等方面的多重意义,但也存在一定的文化保守主义倾向。超越"传统/现代""乡土/城市"的二元对立思维,倡导传统与现代兼容互补的"多元现代性",是李睿珺乡土电影创作今后应努力的方向。

Lee Ruijun,s rural films used the real and poetic images, reflected the aborigines, survivalpredicament and profound emotion of homeland in western rural transformation, and revealed the villager,snostalgia lively. These films not only cared for lower class, introspected on the modern industrial civilization,but also expressed intense ecological consciousness and critical spirit, and had multiple significances atsociology, culture and philosophy.