浅谈曹尔堪的写景词

On Cao Erkan's Scenery Poems

曹尔堪是明末清初杰出的词人,与王士祯等人并称为"清初八大家",他的写景词以"清雅"风格在当时的词坛独树一帜,与以"婉丽绮艳"为宗的词坛大风气形成了鲜明的对比,曹尔堪的写景词创作处于"云间词派"到"阳羡词派"的词风过渡时期,对于清朝时期词作的繁荣和词风的演变都起到了极其关键的推动作用。但是,到目前为止,还没有人对他的写景词作系统的研究。本篇论文结合曹尔堪家族背景、历史条件、人生阅历来分析他的写景词创作,说明其写景词特点以及曹尔堪在明末清初词坛地位与产生的影响,是对曹尔堪研究的一个补充。

Cao Erkan was an outstanding poet in the late Ming and early Qing dynasties. He was known as one of "the Eight Great Men of Letters in the Early Qing Dynasty" with Wang Shizhen and others. His scenery poems, with the style of "elegance", were unique in the circle of poetry, and formed a sharp contrast with the prevailing style of "graceful and beautiful" at that time. Cao Erkan's creation of scenery poems was in the transitional period from "Yunjian Ci School" to "Yang Xian Ci School", which played a crucial role in promoting the prosperity of Ci poems and the evolution of Ci style in Qing Dynasty. However, so far, no one has systematically studied his writings. This paper analyzes Cao Erkan's creation of scenery poems in the light of his family background, historical conditions and life experience, and explains the characteristics of his creation as well as Cao Erkan's position and influence in the circle of poetry at the end of Ming Dynasty and the beginning of Qing Dynasty, which is a supplement to the study of Cao Erkan.