杂糅性与民族性:蒙古剧《沙格德尔》文艺性格探析

Hybridity and Ethnicity: Analysis of Literature and Artistic Characters of Mongolian Drama Shagdar

蒙古剧《沙格德尔》是昭乌达蒙古剧的创建剧目,是蒙古剧中罕见的汉语作品。本剧是一种新的文化形式,既有新创剧种的杂糅性,也有蒙古剧的民族性。杂糅性表现在借鉴汉族戏曲、西洋歌剧的艺术形式,同时深受国家意志的影响和制约;民族性则突出在题材的文学、音乐、表演三个层面都有着深厚的蒙古族文化底蕴。

Mongolian drama Shagdar, created in Ju Ud League of Inner Mongolia, is a rare Mongolian drama written in Chinese. It is a new cultural form with both hybridity of the new drama and ethnicity of Mongolian drama. Its hybridity is reflected in borrowing the artistic forms of Han drama and Western drama, and at the same time, it is deeply influenced and restricted by the will of the state. Its ethnicity is displayed in its theme, literature, music and performance with profound Mongolian culture.