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民国中后期图像新闻话语表达及技法研究(1937—1949)

Image News Expression and Techniques in the Middle and Late Period of the Republic of China(1937-1949)
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摘要 民国中后期,随着图像与新闻的日益勾连,新闻从业者的图像新闻话语意识日益觉醒,围绕于此,形成了各具特色的"图像话语表达空间",成为时人传播舆论与新知意识的重要媒介。通过对民国中后期不同主体、不同报刊的图像话语的解读,考察其图像话语议题的设置,不难窥视其中的话语表达、技法与其背后权力之间的关系,也即冀望于通过图像新闻对民众认知"符号"的建构,实现对"新闻事实"的占有和权利的建构性选择,进而实现对新闻及话语的重组与再现。 In the Middle and Late Period of the Republic of China, with images and news becoming increasingly intertwined, media practitioners' awareness of image news discourse became increasingly awakened. Based on this awakening, a distinctive "image discourse expression space" was formed, which became an important medium for people to spread public opinion and new knowledge. Interpreting different subjects, different images of reading discourse and agenda setting role of image news reveals the power relations behind expressions and techniques. Image news of that era helped to construct the public's cognitive symbols, manipulate their news options and materialize the reconstruction and re-presentation o~ news discourse.
作者 张慧兵 ZHANG Hui-bing(School of History,Nanjing University,Nanjing 210023,China;Shanxi People's Publishing House,Taiyuan 030012,China)
出处 《编辑之友》 CSSCI 北大核心 2018年第12期91-95,102,共6页 Editorial Friend
基金 国家社会科学基金重大项目"多卷本<中国新闻传播技术史>"(14ZDB129)
关键词 民国中后期 图像新闻 表达技法 Middle and Late Period of the Republic of China image news expression techniques
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