摘要
在"现代化碾压农耕文明进程"这一场域中,《苏北女人》进行了深入的艺术思考,向我们展示了抵抗社会现代化的一条文化路径。小说仿写了一个苏北村庄的农事生活在现代化挤压下的循环与陷落历程,用对称、互文策略,展示了有关古典田园的想象和当前农村的境遇。小说朴素单纯的农事经验世界、主要人物的精神均与古典田园有同构性质,并作为文化基质形成了对抗"现代"的张力,同时也参与了"现代"进程。
In the field of modernization replacing the farming civilization, Women from North Jiangsu provides indepth artistic thingking, it shows us a cultural path to resist social modernization.The novel described how the farming went missing under the modernization in a villliage in North Jiangsu, it reveals the classic Chinese pastoral imagination and the current rural situation by taking advantage of potential symmetry and Intertextuality strategy. The simple and simple farming experience world and the main characters are all isomorphic with the classic pastoral, and it served as the culture basics to resist modernization, but be part of modernization at the same time.
作者
赵江荣
ZHAO Jiangrong(School of Liberal Arts,Lianyungang Normal College,Lianyungang 222006,China)
关键词
《苏北女人》
叙事结构
审美特质
现代性
田园
Women from North Jiangsu
narrative structure
aesthetic trait
modernization
pastoral