摘要
明末景德镇制瓷业出现了民窑兴盛而官窑衰弱的景象,陶瓷纹饰风格产生了巨大的变化,其形成的原因是多方面的。本文分别从游地、游具和游伴三个角度,结合图像材料和文献资料,揭示当时一部分山水人物题材与当时文人旅游兴盛与其所倡导的"游道"有着直接的关系。
In late Ming, commercial ceramic industry began to flourish in Jingdezhen while the official ceramic production in the city gradually declined. The ceramic decorative patterns changed remarkably for various reasons. This paper studies the tourist destinations, transports and partners in the period described in the historical pictorial and textual records to reveal the relationship between some ceramic landscape paintings and the craze of the literati then about tourism and their pursuit of tourist spirit.
作者
喻宏
詹伟
YU Hong;ZHAN Wei(Jingdezhen Ceramic Institute,Jingdezhen 333403,Jiangxi,China)
出处
《陶瓷学报》
CAS
北大核心
2018年第5期628-631,共4页
Journal of Ceramics
基金
江西省社会科学规划项目(15YS10)
关键词
明末清初
景德镇
纹饰
文人
游道
late Ming and early Qing
Jingdezhen
literati
tourist spirit