图像与观念:明末清初陶瓷纹饰中的文人“游道”

Images and Ideas: The Literati's “Tourist Spirit” in Ceramic Decorations of Late Ming and Early Qing

明末景德镇制瓷业出现了民窑兴盛而官窑衰弱的景象,陶瓷纹饰风格产生了巨大的变化,其形成的原因是多方面的。本文分别从游地、游具和游伴三个角度,结合图像材料和文献资料,揭示当时一部分山水人物题材与当时文人旅游兴盛与其所倡导的"游道"有着直接的关系。

In late Ming, commercial ceramic industry began to flourish in Jingdezhen while the official ceramic production in the city gradually declined. The ceramic decorative patterns changed remarkably for various reasons. This paper studies the tourist destinations, transports and partners in the period described in the historical pictorial and textual records to reveal the relationship between some ceramic landscape paintings and the craze of the literati then about tourism and their pursuit of tourist spirit.