论欧洲文艺复兴初期的“新艺术”音乐观念

On the Music Notion of “Ars Nova” in the Initial Period of European Renaissance

"新艺术"是14世纪法国多声部音乐的同义词,它的诞生从审美上改变了人们的音乐观念。主要表现在"新艺术"时期的人的感性观念的提升;"新艺术"音乐与诗歌联系紧密,作曲家们将音乐视为和诗歌一样修辞来创作;在欣赏者方面追求听觉音响的享受,作曲家方面则注重造成音响形式的作曲技术;世俗音乐中民族风格的兴起:作曲家们开始注重写实,表现现实和对生活的热爱,许多民族开始运用自己的语言进行音乐创作。这一时期成就了一批流芳百世的音乐家,如马肖、兰迪尼,也为后世的合唱创作提供了重要的艺术框架。

Ars Nova",the synonym to French counterpoint in 14th century,changes the music notion from aesthetics since its birth,which is embodied in many aspects.Personal perceptual concepts are promoted;The music of"Ars Nova"being closely related to poetry,composers create the music in the way as the poetry is composed;As appreciators pursue the acoustic enjoyment,composers focus on the techniques to affect the acoustic modes;Ethnic style springs up in the folk music;Realism being laid emphasis on,composers manifest their passions towards reality and life;Many nations carry on the music composition with their own languages.A wealth of imperishable musicians emerge in the period of"Ars Nova",such as Machaut and Landini,who shape the vital framework of choral composition in later ages.