摘要
2011年布克奖的获得者、成名于上世纪80年代的英国作家朱利安·巴恩斯,与马丁·艾米斯、伊恩·麦克尤恩一道被称为"英国当代文坛三巨头"。国内的巴恩斯研究虽始于上世纪90年代,但直至其获得布克奖后才开始有所发展,在这短短的几年中,业已形成了一定的规模。基于国内学者相关研究的文献梳理,主要从创作主题、创作手法、历史观及文学理论这四个方面进行分析,指出国内研究仍有发掘的空间,有待进一步发展。
Julian Barnes,along with Martin Amis and Ian Mc Ewan,are often considered as the three giants in contemporary British literary circle. Barnes has gained great fame since 1980 s and he won the Man Booker Prize in 2011.The 1990 s witnessed the beginning of Julian Barnes studies in China. However,it was after he won the Man Booker prize in 2011 when domestic studies on him got further development and won initial success. Based on domestic scholars' researches on Julian Barnes,this paper focuses on the four aspects of Julian Barnes studies in China,including theme,writing techniques,history views and literary perspectives. Besides,this paper points out that there is still room for further study on Julian Barnes.
作者
潘慧
Pan Hui(School of Foreign Languages,Zhongnan University of Economics and Law,Wuhan 430073,China)
出处
《中南财经政法大学研究生学报》
2017年第3期94-99,共6页
Journal of the Postgraduate of Zhongnan University of Economics and Law
关键词
朱利安·巴恩斯
主题
创作手法
历史观
文学理论
Julian Barnes
Theme
Writing Techniques
HistoiT Views
Literary Perspectives