诗贵情思:论李东阳诗学体系中的“真情”意识

Poetry Is for Lyricism:on the Consciousness of “True Feeling” in Li Dongyang's Poetic System

作为明代承先启后的诗人,李东阳站在诗歌的转捩点上,试图突破理学思想及馆阁文学所造成的思想上的樊篱,以一股"清新婉丽"之风标举"真情"意识——崇尚真情实意、力主自然之情、提倡唐人之情;其诗歌创作,与之桴鼓相应地将其"真情"意识融汇贯通地表现在他的婚恋诗、历史人文诗、山水风光诗之中。李东阳诗学体系中的"真情"意识和其诗歌创作实践,引导恢复了古典诗歌审美理想中"重情"的特质,打破了当时"台阁体"诗歌题材局限于应制颂德的桎梏。"真情"意识流播所及,实是明代中后期文学关于"真"的讨论的滥觞。

As a poet of the Ming Dynasty, Li Dongyang stood at the turning point of the times, trying to breakthrough the ideological barrier caused by “Tai Ge culture” . Li Dongyang raised the consciousness of “true feeling”witha wind of fresh and graceful beauty-advocating“true feeling” , natural feelings and the feelings of Tang dynasty’ speople. In his specific poetry, accordingly, his consciousness of “true feeling”is reflected in his rich love poems, his-torical and humanistic poems and natural landscape poems. As the demand of the literary world at that time, LiDongyang’ s consciousness of “true feeling”in his poetic system and his specific poetry led to the restoration of“truefeelings”in the aesthetic ideal of classical poetry and broke the barrier that the subject matter of Tai Ge style was con-fined to the eulogy of virtue at that time. The consciousness of “true feeling”was the beginning of the discussion of“truth”in mid and late Ming dynasty’ s literature.