明清诗学视野中的诗韵论

The category of rhyme in Ming and Qing Dynasty poetry eyesight

明清诗学视野中的诗韵论,主要体现在三个维面:一是对“韵”作为诗歌审美之本的标树;二是对诗韵审美特征的探讨;三是对诗韵创造与生成的考察。明清诗论家对诗韵的论说,多方面地展开了古典诗韵之论,将南朝以来人们对诗韵的阐说予以了提升和深化。

The discussions on poetry rhyme theory in the Ming and Qing Dynasty poetry eyesight,mainly embody in three aspects: the first is the praising rhyme as the poetry aesthetic root,the second is probing its aesthetic characteristic,the third is inspecting its creating and product.The discussion on poetry rhyme of the poetic critics in Ming and Qing Dynasty,develops the classical poetry rhyme theory,promotes and deepens the explanation since the South Dynasty.