彩条牵经技艺在蜀锦织物设计中的实践

Practice of warps traction craft in design of Sichuan brocade

在非物质文化遗产从保护传承迈向创新活化的时代趋势下,以彩条牵经技艺在蜀锦中的应用原理为研究对象,重新梳理和定义了彩条牵经技艺的两大类型。采用文献考据、图形分析相结合的方式,阐述这种技艺在不同历史时期的沿革脉络;并通过《南方丝路图》的创作实践,探析以技术提取为切入点的现代彩条蜀锦设计路线。研究指出:彩条牵经技艺本身具备与时俱进的生命力,设计创新应扎根在对古老技艺的正确解读和适当应用中。结合现代织锦工艺创作出承载古代丝织技艺与当代文化自信的作品,是新时代下非物质文化遗产的重要活化方式。

Intangible cultural heritage marches from the protection and inheritance to the innovation. Under such trend, the application principle of waqos traction in Sichuan brocade is taken as the research object to define two types for it. By means of literature review and chart analysis, this paper expounds the evolution of this craft in dift^rent historical periods. Through the creation practice of ＂pattern of southern silk road ＂, this paper analyzes the design route of Sichuan brocade by taking technique extraction as the entry point. The research points out that the craft of warps traction has the vitality of advancing with the times, and the design innovation should be rooted in the correct interpretation and proper application of the ancient craft. To create the works bearing ancient silk weaving craft and contemporary cultural self-confidence by combining modern brocade crafts is an important way to activate intangible cultural heritage in the new era.